the always trustworthy sound carrier label steps back into the limelight to hit us with another fix of quality techno from monsieur chris carrier. the parisian producer never stops making music, and he presents three new extra terrestrial cuts here on this latest instalment from his excellent label. the story here is about two powerful intergalactic beings who discover that they have been lied to by their leaders - there are no magic mushrooms, just a forest of poisoned ones. they have laid down their arms to discuss this despicable turn of events… track one is a rolling slice of analogue techno with acid licks and squelches bubbling away at its core. named ‘cat’s eye nebula’ it sucks us in to an interplanetary vortex, with cosmic fx transporting to the interior of a spaceship, while the beats give the feeling of a bumpy ride into the cosmos. this is followed by the more composed solemnity of ‘galactus’. shuffling beats slide over a funky bassline, the outer space theme continues with carrier implementing a series of manipulated sounds which convey the feeling of futuristic machinery, blinking dashboards or robots communicating with one another. finally, we have ‘dark poison’, the inspiration behind the whole ep. more deep 303 vibes on this with a simmering analogue riff, percussion which increases in intensity alongside several layers of melodramatic effects, high-pitched twinkles and chimes which really add to the tension

dj support > chrissi d, dany wild, erick decks, falko niestolik, malente!!! limited edition !!! cool funky & techy electrohouse vinyl, incl dbn remix

remastered edition !! 20 track hip hop clut album by the beastie boys from 1992 ! 180gr vinyl, audiophile quality / faithfully restored

with the grupo almendra album fresh out of the gates, italian label best records jump right back in with a crucial slice of disco funk from noted arranger, producer and karate expert pino presti. -you know the way- is a slinky party starter with on-point slap bass, lively brass and sumptuous philly strings of the highest order. as if the original wasn t funky enough, the b-side features a disco remix from dearly departed new york disco legend tee scott, who subtly buffs up the dancefloor potential of the track to devastating effect.

nice price deal !!! room 9 is a new italian based label created by the talented dj & producer andrea appolloni and marco frisina from holler management. to launch their label the italian crew have choicen to introduce the world of taribo ep characterized by a techno-funky groove and a unique balance between rhythmic power and the bass & sax double-strength. turin is the background of taribo which is born by the collaboration between andrea appolloni and pisti (krakatoa/ motel connection) both of them coming from the northern italian city. the neapolitan producer man-d.a. (goldseries) takes care of taribos remix maintaining the originals deep moods of the track and adding an all-involving atmosphere

the mighty flames were a crack bunch of cameroonian musicians, drawn to nigeria by the heavy funk sounds booming across the border like musical moths. for a short time in the late sentries they ‘owned’ port harcourt, destroying dancefloors with an incendiary sound that burned so heavily that it was phosphorescent. metalik funk band is the band at their most deadly.

undo (gabriel berlanga) introduces his third album disconnect, with ten songs written, recorded and produced during 2015 and 2016. on disconnect undo blends different influences using both new and old analogue gear combined with digital plug-ins and fx to create his own recognizable sound after more than 10 years on the road. opening track “disconnect” finds undo playing with psychedelic synths and singing shyly. we also hear vocals but in a very diferent mood onthe funny, funky and sexy “computer friends” and on “autómatas”, an electro cut that demands a reaction against the established injustice. there are vocals as well on the last track of the album, this time with an epic vocoder because at the end “we’ve got to fight”. djs will likely gravitate toward the unstoppable trance synth of “the arptist”, the chug-techno tension on “acid prophet”, the shuffled beats and endless harmony of “setembre” and the dreamy melodies of “interferencias” and “sunmachine”.

welcome to fifth hardgroove bomb on kickmasomaass records. this time we bringing you a various artists compilation filled with four great and powerfull tracks from all over the world. we start with almir ljusa who is living in bosnia and herzegovina and is a great hardgroove producer. his track -sturmgewehr 59- is one of his best. powerfull beats, monster percussions, full loaded with extreme power for all clubs and partys. the second artists is a big icon on hardgroove music scene and every hardgroove fan must to know him. his name is david moleon from granada, spain. his track -4 legs- is little slower as we are accustomed from his older production but its full loaded with -david moleon style-. bomb beats, bomb percussions and definitely one great track for every dj to play. next artists on our compilation is fuma funaky from slovenia. in his track -destormus- we can find elements of tech-house and deep house dressed into one great techno track with nice driving bassline and great percussions. definitely one great track from him. the last and fourth artist on our compilation is norman andretti aka quarill from hungary. his track -funkalike- sounds like you were on ibiza. great tribal percussions, funky bassline, and -funkalike-. all what you need is summer, swimming pool, 2x2000w and this vinyl record to have little ibiza home. difinitely one great vinyl record worth all the money you pay for it. enjoy!

one records continue their quest for the most up-to-the-minute house and tech-house tones, this time calling on bobby o donnell to step up to the plate with his groovesome wares. -e211- is a huge track, using swooping pads and a classic diva vocal lick to devastating effect - it s hard to imagine anyone resisting the emotional draw of this melancholic jam. -e131- meanwhile is a more cheeky affair, ramping up the funky drum programming and using a more minimal palette of sounds for decoration. john dimas then steps up to remix -e211- and turns it into a hard-bopping workout powered by a mean-tempered snare.

rhythm&soul s just groove it label has been excelling in its first year of operations, serving as a vehicle for the paris-based producer to air his own productions while drawing good friends into the fold. following on from chris carrier s appearance on the previous 12-, this time around ben rau has been invited to join in, and the resulting two tracks are testament to the strength of the collaboration. -the long tomorrow- is funky as hell, keeping the swing levels high and using a crafty set of minimal sounds to create movement. -we can do it like that- takes a deeper route, using dubby production methods to create an immersive treat for the dancefloor.

introducing ideaz, two skilled beat-makers discovered by cold busted, hailing from within the funky heart of russia. marat and nicolay make their ideaz debut with motion capture, a fantastic 15-track album that showcases the laid-back, blunted flavor of the duos rhythmic constructions. jazzy samples, vinyl pops, and crafty scratches abound as the album speaks the universal language of the instrumental hip-hop head-nod. “every day” hypnotizes with its funky handclap stomp, quick guitar riffs, and fleeting splashes of vocal. a gentle approach is revealed on “blossom fell”, featuring a dreamy female vocal hook, slowly tremolo’ed electric piano chords, and an overall air of wistfulness. “lines” brings ideaz into futuristic funk territory as its loping cut-up beat, abstract synth melodies, and ascending bass line imagine a robot dance-off on a year 2054 episode of soul train. those are just a few of the highlights to be found on motion capture.

nostalgic, soulful and, of course, boogie-woogie. thats how belgian dj producer boogie belgique (aka oswald cromheecke) describes the enticing combination of styles and sources from different decades that make up his music. taking vintage inspirations, most notably from swing and jazz eras, and merging them with contemporary beats and textures is the young producers forte. this is pleasingly evident on volta, the latest boogie belgique album for the cold busted label. jungle law gives a glimpse into boogie belgiques sonic palette. tough hip hop beats and funky live guitar follow an intro of jungle ambience as a trumpet presents the melody. soon some swingy big band jazz enters the song in an almost ghostly manner, while the insistent beat keeps the dance floor moving. album opener go slow shows a different side to the coin giving the listener an uptempo broken beat rhythm, some bouncy bass guitar, snippets of string loops, and a lovely, forlorn vocal line that echoes the past. its a beautiful concoction, and boogie belgique delivers on many aspects of this style throughout his eleven track album. volta is a satisfying trip in an aural time machine.

beneaths early productions first surfaced on the wifey show on deja vu fm. releases followed through his own no symbols label, dj pinch s tectonic and blackdowns keysound. he is widely acclaimed for his originality, in synthesising the dread soundscapes of 2004-2006 dubstep with the rolling tempo of uk funky and echoes of the bleep n bass subgenre of uk house and techno. this debut for niche n bump (orchestrated by a member of the wifey crew) showcases his most uncompromising work, mixing wild, off-kilter bass with mutating, otherworldly tones. swing ting are a manchester dj and production duo behind the city s energetic club nights of the same name. known for injecting up-to-the-minute uk music with bashment-inspired energy, here their remix ably advances that mission. armed with breaking glass, dub sirens and enhanced bass pressure it blasts bellz into a sleek shape for peak-time dancefloors, resembling their 2011 overhall of mosca s tilt shift for fat city.

we are back - bringing that raw and funky garage vibe to vinyl & kicking off our artist series with a selection of original underground garage artists from back in the day - so who better to start off such a release with no other than an innovator of that scene and mastermind behind those tuff jam beats, mr karl -tuff enuff- brown.

new four-tracker by petr serkin on freedom sessions records! this release includes disco-banger disco space booster, mellow jazzy old tales from the future, groovy and soulful flying jam and funky heavy load.

dublin based disco imprint fatty fatty phonographics return with the 4th instalment of their downtownsounds classics series, this time throwing three stone-cold classics onto one 12, all given the re-edit treatment by in house producers pablo and shoey. voiced by leroy burgess, with drums by hip hop legend marley marl and production by the aleem brothers, release yourself was a huge across-the-board anthem in the clubs of nyc on its release in 1984. the lads have superglued elements of both the vocal and dub sides together for an epic end of night take on this beloved classic. the b side features two under appreciated classics from the pen of one billy nichols, a man known for his work with west end records (the levan mixed give your body up to the music ) and the funky band of brothers that was bt express. on take me... nichols hooked up with disco master patrick adams for an emotional, string drenched disco belter that has found favour with the likes of dimitri from paris, floating points and hunee. while dance if off is a wonky proto acid-disco trip beloved of rahaan and eric duncan of rub n tug. with copies going for over 300 euros, you can do your bank account and your dancefloor a favour here.

ltd to 225 copies , the smile for a while crew turn to italian producer andrew soul for their latest transmission, resulting in a loud and proud record of house music histrionics tapping into an old-skool sensibility. soul enlists hard ton for vocal duties on the a side tracks, which range from the emotionally charged deep house depth charge -sweet love- to the grinding dirtiness of -take me higher-. on the b side, nico lahs gets to work on -sweet love- and turns it into an irresistibly funky shuffler with plenty of new jersey garage flavour rubbed into its bones. -your breath- then rounds the ep off with a freaky cut perfect for the after party

serbian label disco fruit continues its successful of 12inches right up to the end of 2016 with another slice of feel-good party business from label boss tonbe. i m the one-is a bright and breezy slice of funky house lashed with diva vocal turns that tap into the same vein as futureboogie and other such esteemed labels. alkalino meanwhile simmers the track down to a lean club-ready jam before feel the night on the flip heads straight to the philly strings for its own clean and punchy reverie. dig it rounds the ep off with a slightly slower groove peppered with yet more classic disco signifiers.

to wrap up 2016, true romance unleashes one more disco stunner. this time the fabulous three tracks 12 comes from the classically trained yet funky to the bone: phil gerus. the russian producer has been a rising force of the modern disco movement with releases on futureboogie, sonar kollektiv, thugboat edits to name a few. the make time ep, his first offering on true romance, confirms gerus is here to stay. the a side, she is wearing her black boots again, is meant to played very loud and very late in a dark smoke-filled room. its a raw thumper with a thick post-disco bass line, robotic italo synth, dreamy chopped up vocals all layered with catchy mysterious chords. the flipside starts with the irresistible make time, a groovy number with loopy funk guitars, soulful vocals and infectious keys that will stick to you like glue. for the grande finale, gerus serves us detective from kamakura: a gritty electronic funk track with banging percussions and delirious moans that will keep you awake until the break of dawn.

thats desire/here we are ep is a 12inch vinyl and digital release by fragile, wolfgang tillmans evolving band project that spans from early recordings in 1986 with bert leßmann to a full band ensemble made up of a group of musicians in new york in 2016. the double a-side ep opens with thats desire, a collaboration with the new york rapper ash b. the song evokes associations with dfa, daf and a queer talking heads. in a spontaneous action ash b. takes over the mic and raps over tillmans heartfelt lyrics, originally written in 1985, combined with a funky bass line by thomas roach. the experiment results in a driving indie-dance sensation about the pleasure and pain of getting lost in ones own desire.

sleazy mcqueen, ne laurin fedora, has been one of the u.s.’s foremost purveyors of classic disco, fuzzy house, and funky edits for over a decade, so its about time we bring him into the fold at lph. doing it in style and with a bang by delivering a package that includes two originals—the cosmic huit etoiles and the bumpin shuffler galway jam—plus two remixes of the titular track, one by kenji takimi, best known as the founder of japans preeminent dance music label, crue­l, one by gerd janson, the head honcho at running back as well as lauers better half in tuff city kids.

cassette includes a free downloadcode – redeem via bandcamp.
after their latest release on kitball records hanne & lore are now back on their own imprint heulsuse. the catchy maintrack hushle is kept in total hanne & lore style and drives its way euphorically into the head, rolling drums, hypnotic lead sounds, funky vocal snippets and an almost cheeky groove make hushle to a true peaktime track.
bebetta is throwing a dazzling remix of hushle onto the dancefloor, full of atmospheric frequency and warmth between the fx sounds and soft chicago claps.
hanne & lore are turning down the speed by slipping lost in rimini, a crispy 80s house track, into our little italo disco.

to celebrate this years record store day/black friday, coalmine records is pleased to release a special-edition 7 inch version of heltah skeltahs previously digital-only slapper, midnight madness, featuring dj revolution. as fans of the duo already know, the circa-2009 track is pure flames, and brimming with hilarious bad-guy lyricism from ruck (aka the late sean price), and his partner in rhyme, rock. the two absolutely let loose over shukos funky instrumental, as ruck drops concrete flows while rock communicates with animals.

nice price deal !!! the freihafen ep shows the inimitably techno producing of georg lange as dj argon. the modulated drums and baselines are always strong and raspy. all the songs are funky someway, primarily created with analogue equipment, populated with strident synthie sounds. it s not possible to call a genre, is somewhere between deep techno, dub and atmospheric minimal house. lets call it >argons music<- cheery, unique and coltish deep.

bosconi extra virgin has prepared for you two super tasty various artists featuring 11 tracks by 11 new, fresh and promising producers mostly from all around the italian peninsula but not only! -the sweetest- volume 1 begins with the outstanding jazzy midtempo song of austrian producer m.a.r.s -feel the heat- and the deep space, italo soundtrack infected boogie directly from napoli of bop & 291out s -uomo dalle nuvole- , known for their releases on acido records and really swing.b side features instead the chugging raw deep house track (($)) from misterious producer from tuscany def safari and more funky, garagey, soulful vibes and broken beats by the mechanical man from napoli and young artist jts1 from milano.

nice price deal !!! freaks vs satoshi tomiie funky electro dj mashup

nice price deal !!! cool the bomb follow up! funky house remake of this great edwyn collins classic

alexis tyrel’s man in the sky introduces itself as a no-nonsense kick and riff driven track. although simple in nature, it is a bold and distinct. the track zeros in on the very memorable riff and the different adaptations of it that play throughout. changes in key, timbre and depth give this piece an eerie vibe in places and a funky vibe in others.

die suol labelbetreiber chopstick & johnjon bekamen jüngst als ko-autoren des fritz kalkbrenner-hits back home gold verliehen. doch nun schütteln sie das radioformat ab und begeben sich straight in den club. mit der versions 2 ep liefern sie vier burner, die sich auch strukturell von dem emotionalen radio-pop ihres debütalbums twelve unterscheiden. viermal dancefloor pur mit bouncy, funky percussions, fetten bässen und einflüssen aus deep house, 90er rave und gefiltertem und gepitchtem westcoast-hip hop

with the opening track -i see you-, silent riders offer up a brilliant pop diamond combining all elements of their distinctive sound palette. lu’s soulful voice bounces off almost funky drum machines, all drenched in layers of dark analog ambience. on the lush -copenhagen dream-, lu channels a sense of brit-pop nonchalance into a political song about the state of her city. in contrast, -being afraid- sees the band in their hardest grittiest mode - with lu reminiscent of pj harvey at her most moody and the slow groove behind her like a factory machine beating and releasing steam. other highlights include the chilling -static- and the ethereal beauty of closing track -falling- which sees the riders in their most relaxed and dreamy state, and echoes the works of portishead and massive attack. a stunning debut - limited vinyl release - don’t miss.

brand new addition to the ever growing transatlantyk catalogue. after an excursion into the hot, equatorial waters of transafryka, the fleet went back up north to visit europe s busiest port and meet with freux. he comes from the same creative crew from poznan that brought you such talents as selvy and newborn jr. nowadays this young graphic designer spends his days in rotterdam s district of delfshaven, after which this ep is named. a mix of 90 s deep house influences, strong sense of humour and unusual musical sensibility guarantees a sure shot winner. the strong groove of bernie is build on a scatting vocal loop, soon joined by ethereal synths and funky slap bass. borderline cheesy sax line completes the picture, which is like an ocean in the sunny, windy afternoon - soothing but never sleepy. coming up next is ght , inspired equally by 1990 s new york and 2016 s vancouver sounds. ambient soundscapes and chilly melodies are set off to pumping drums and looped basslines. the club mix of step offers a similar sound palette, enriched by mallet percussion. a fantastic soundtrack to any leisure activities. the ambient mix takes the original idea into one of rotterdam s coffeeshops, the one where they show a surf movie in slow-mo on a constant loop. jump and wave.

love notes from brooklyn offers up this platter from a very exciting new brooklyn artist, subtenant. as it says on the tin, the artisanal acid ep is heavy on the 303 squelches and emotional content. each track has a unique pairing of soul and heavy acid funk. evergeen soul is the clear lead track here, using a female snippet to keep this otherwise tough little number dancefloor friendly. this track is then reworked by detroit underground darling, d marc cantu, who pitches things up into funky rave territory. the flip side sees the title track feature the most soulful chords on the entire record, and then on the b2 the artist himself takes to the mic on know how it feels. this whole ep feels live and direct from the brooklyn underground.

after a string of releases in 2016, french journeyman and beat craftsman hugo lx returns on balance recordings with his first house long player. supposedly designed as a more traditional 3-tracks offering, the project progressively turned into a two parts album, reflecting on past, present and future events through organic electronic music, with the loss of a dear friend and men­tor as the turning point. instead of a contemplative tribute piece, this effort focuses on storytelling, narrating crucial life moments through various song and interlude formats, colours and musical styles, producing a vaporous yet funky, jazzy and hiphop infused house music, flirting with soulful atmospheres and ambiant elec­tronic textures.

after the funky summer release ‘deep in’ by stephen brown, technorama records continues to promote diversity & quality music. they are back this time in the ‘electro game’ with this superb release by the french specialist dynarec.
sometimes you have artists that can electroshock you with a very good 12” and then after that they are not able to satisfy your expectations. dynarec is one of those who is capable to impress each and every time that he delivers a release. coming from france, dynarec improves on even the most advanced experimental electro as no one did before, giving it depth, awareness and knowledge, making it more rigid and linear. a journey into those post drexciya atmospheres which reach some of the highest moments in a new electro history ... romantic and complex, rich in detail and unlikely to be imitated or surpassed by others on the contemporary new electro scene.
released in 2007 on vapourwave, the electro anthem ‘in your hand’ by dynarec is back here on a remastered version + a new modern reinterpretation by himself. you can find here also a beautiful remixes by the exaltics and the unstoppable voiski, enjoy!

london-based producer keyboard masher has been flying out a no-nonsense brand of disco-infected grooves since 2010 on their own km editions label. devoid of hype and placing the emphasis on the music, the eighth installment in this crucial series of seductive late night jams packs in more boogie than you can shake a particularly funky stick at. -ferry home- strikes an irresistible 80s note with its live band undercurrent, while -i m still qualified- slinks down into a more sultry mood before -twin magjik- heads skywards on a bed of twinkling synth tones. sweet disco tones don t come fresher than this.

one side hardtechno and one side hardcore here :)
opening on a 152 bpm jumpfloor well named hard techno sober hardkicker...
then comes make my day, 162 bpm of another quiet sober hard techno, dancefloor mental talker. gently mental.
the b side starts on a french raving hardcore old school kicker. 195 bpm pityless funky hardcore :)
acid nightmare plays the same speed and quiet the same style of old school kicking hardcore... dry, rave, hard.
nawak is back! you better get prepared!

‘freedom school’ is well known for releasing music from the likes of ig culture, mark de clive lowe, eric lau and rick “the godson” wilhite. the third volume of the freedom school d.j. series features the work of kaidi tatham. there are three solid tracks on this 12” from beat-down house to jazzy down tempo beats. kaidi brings his futuristic funky fusion to give all the dancers warm and peaceful vibes!

mr. g extends his ever growing discography with another full length album. “a good place..?” comes as a 2x12” package which includes 10 tracks which range from signature mr. g style drum track cuts with the usual vocal cuts to somewhat more “dubbed out” bits and funky disco tainted dance floor bits. “a good place..?” proves to be the perfect follow up to last year’s “night on the town?” with mr. g showcasing his versatile skill set whilst thoroughly molding the tracklist into the feel of an album.

repress !!absolutely flawless boogie sounds on nycs sam records from 1982, greg henderson s -dreamin- was licensed from the tiny rain records label and no doubt gained some invaluable exposure to the early 80s post disco club scene that was in full swing at that time. breezy, soulful, sweet and most importantly of all funky, dreamin is an absolute pleasure to the ears. greg henderson only released a handful of records during his career (including the incredible henderson & whitfield - dancing to the beat) and was also involved in the production of some other classic boogie rarities (masterforce -dont fight the feeling, rome jeffries good love).dreamin has always been a sought after record, often fetching collectors prices of £100 - £200 a time. a sublime cut for all lovers of disco, boogie, funk and modern soul. now made available again, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

the playground is pleased to present it’s 9th release titled “all the way live ep-. originally from australia, inkswel aka jules habib turns in a delightfully funky 4 track ep inviting some of his friends, henri le blanc, sven atterton & man made mountain to join. raw jams to make you move.

brian auger, the london born keyboard genius & musical pioneer, lauded and loved by everybody from herbie hancock to mose allison, from the brand new heavies to the beastie boys, whose tracks have been sampled by mos def, common, air and kid loco, and his original compositions covered by sarah vaughan, richard groove holmes and he is the proud recipient of a us congressional award for services to jazz!
back to the beginning..again is a fantastic collection that demonstrates why brian auger is considered legendary.

mr.rooge is back for the first time on gosu showing that he isn t only a skilled house/techno producer but also can go different ways experimenting with breaky electro-like styles to form the second installment on the label. he s accompanied by an yet unknown japanese technician named dj yue who is in charge to bring it back to funky techno terms with his remix contribution.

first outing from french formation bcuc - their “incantations” in zulu, sotho and english and their funky modulations extend over twenty minutes in a whirlwind of sound reminiscent of fela’s afrobeat.

the stunningly prolific manchester-based beat-monger my neighbour is has returned to the cold busted label for his eighth album of head nodding delights. elegantly titled moons reflection on a quiet lake, this set of funky dance floor nuggets showcases the producers acumen for punchy, rolling rhythms, smooth melodic textures,and cleverly woven sample tapestries. moons reflection on a quiet lake is perhaps the most accomplished effort yet from my neighbour is, evidencing an innovative producer on the rise. dont miss it.

for those of you wondering what adesse versions was doing at our heist boiler room this summer in london, the answer is here. the “push it along” ep for heist is adesse versions first appearance on our label and features 4 stunningly raw and warm originals, and an amazing remix by new york’s ambassador of funk: ge-ology, together with multi-instrumentalist marc de clive-lowe on keys. after having released numerous records for jackmaster’s numbers, local talk and toy tonics, we’re happy to welcome adesse versions to the heist family. when he sent us his demo’s we had the tough job to choose the right tracks, cause there were just too many. the selection on the “push it along ep” features what we feel are his purest work up to date. with only a small amount of elements, he manages to create such a big and warm sound, finding a great balance between gritty percussion, rich analog synths and funky sampling work.

fresh off releases on bastard jazz, kat and lumberjacks in hell, phil gerus is about to blow up and these 4 tracks on tugboat edits demonstrate why. “let me love you” opens the a side, followed by the neu deutsche welle of “mistress uniform” while “get funky…” and “cyanide” keep the party going! hand stamped, limited edition of 400.

editorial is back again with another stacked 12inch with familiar faces and a new arrival to the label. art of tones kicks things off with bootyshaker, inspired by uk compadre red greg. with a driving funky bassline, this jam is a bonafide party starter! the mysterious barry prophet surfaces again with a laid back slo-mo boogie vibe on closer. flip the wax for editorial stalwart matt hughes and his class funky guitar and bass work on walk the chalk. next up is italys special q bringing his nu-disco sound proper. finally, the sellout s close out the ep with a heady downtempo smokey joint.as you know, this is: the way we groove

decoder recordings is back with its second release. swedish dj and producer mattias fridell delivers strong driving techno on the ep called the tasker. it contains four tracks, and the title track immediately discloses what s the deal with this ep: quality loop based techno with fridell s signature clearly present. current world ecclesiarchy is the second track and on the same level as the tasker, while 33 endocytosis is a bit more funky. a pounding remix of that last track is delivered by the binary mind.